Ghirardi echofon8/7/2023 Instead, it was suggested by Blaine Cook, a QA tester for The Iconfactory’s third-party client, and immediately adopted. The idea that a “tweet” would be what we call a Twitter post didn’t actually come from the company itself, according to a blog post from Twitterific developer Craig Hockenberry. Take, for example, that word I just used - tweeting. The iPhone’s App Store wouldn’t come along until over a year later. Here’s a screenshot from Twitterific’s site in 2007, with the bird explaining how to install the Mac app. Twitter didn’t put a bird in its logo until 2010. They’ve also acted as a safe haven from unwanted changes, helping to keep people tweeting when they were ready to give up on the platform. As many people have pointed out over the past week, third-party clients helped make Twitter the platform it is today, innovating parts of Twitter we take for granted and, in the early days, helping form the company’s very identity. It’s a loss for all the people who used the apps and, almost certainly, a loss for Twitter itself. After Twitter cut off their API access and changed its rules to bar apps that compete with its own, The Iconfactory has announced that it’s discontinuing Twitterific, Fenix has been pulled from app stores, and Tapbots has posted a memorial for Tweetbot. The age of great third-party Twitter clients may be over. Lavish, original, gigantic: the Domus Aurea is the symbol of the ingeniousness of Emperor Nero, and that of the First Empire, which changed the face of Rome.The third-party apps Twitter just killed made the site what it is today Located opposite Rome’s Colosseum, Domus Aurea is perhaps the most important monument of Ancient Rome. Yet, not many people have heard about it.ĭuring my time in Rome, I was fortunate enough to get exclusive access to the Domus Aurea for a private tour and interview with the Scientific Director of the Domus Aurea, Prof. Here are some interesting facts about the Domus Aurea which I hope will inspire you to visit it. ![]() Want to visit Domus Aurea? Book your tour hereĭomus Aurea, from Latin meaning “Golden House”, was an opulent residence built by Emperor Nero in 64AD. It was immense, decadent, and innovative, pushing the boundaries of architecture. Then by accident, it was rediscovered during the Renaissance. What has been excavated so far sits on the Oppian Hill and is said to have been a pavilion, not a living quarters. Due to the lack of kitchens and lavatories, archaeologists suggest it was probably used as a space to talk a stroll around and appreciate the view of the valley to the south and admire the lavish interior decorations and works of art.ĭomus Aurea was the creation of an Emperor who had a deep appreciation for the arts in all its forms including music, paintings, poetry, and sculptures. On entering Domus Aurea for the first time, Roman writer Svetonio documents Nero as saying: Nero took great interest in every detail of the project, and according to Tacitus’ Annals, he oversaw the engineer-architects, Celer and Severus, who brought to life the palace of Nero’s dreams. Great! Finally, I can start to live like a human being! – Svetonio, Nerone, 31.2 What did the Domus Aurea look like?ĭomus Aurea’s extensive decorative gold leaf dazzled in the sun. Yet, that was not the only extravagant element of its decor. ![]() The walls, dressed with ornate frescoes inspired artists such as Raphael, Michelangelo, and Casanova giving birth to a new art style, Grotesque. Setting new trends during the Renaissance.īright octagonal court that rotated, opening up to the heavens via a giant oculusĭomus Aurea’s most celebrated and influential feature was the bright octagonal court that opened up to the heavens via a giant oculus in its large dome. It became the model for Rome’s magnificent Pantheon built years later and has continuously been studied and copied throughout history.
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